THE IMMORTALIZED SCREAM
“In the 1920s, recording conditions were a real challenge for musicians !
Sound was captured by a simple bell and etched directly onto wax. To balance volumes, the most powerful instruments had to move further away(…)”
THE IMPROVISED BIRTH OF SCAT
“So you haven’t heard about the birth of Scat ?
Legend has it that in 1926, during the recording of Heebie Jeebies,(…)”
francesca gaza
What I generally like to have is a direction, or a sort of fil rouge of any kind. It can be a musical motive, or an instrumentation that I particularly like or a text (which might also then not be used, but be there as a sub-text for me). What I generally do is that I start writing and often I feel stuck because my music indicates a pulse and a time very clearly, which I don’t really like often. So what I do, and most of the times helps me out, is to write a choral without using the piano. Just from the skeleton idea of a harmonic or melodic 3/4 voice piano part, I start imagining that it will be sung by 4 voices from Bach’s time. That often gets me out of the "stuck mode”.
What I like to have, is a little notebook with music paper where I write down small ideas, that seem insignificant, and then after a while I open it and often one of the many ideas pops out and feels right to be used.